PLACE GUIDE

Guanlan Printmaking Village 观澜版画村

Guanlan Banhuacun

Guanlan Printmaking Village (观澜版画村) is the old Hakka settlement of Dashuitian in Guanlan Subdistrict, Longhua District, Shenzhen, converted since 2006 into the China Guanlan Original Printmaking Industry Base. Row houses, ancestral halls and a watchtower now stand alongside working print studios.

Old grey-brick Hakka buildings with a watchtower around a stone-paved square
Traditional Hakka courtyard buildings and a watchtower at Guanlan Printmaking Village, Longhua District, Shenzhen · 深圳市龙华区观澜版画村的客家围屋建筑群与碉楼 Source-recorded photograph date: 2017-10-30 12:19:35. · Liuzhongyou · CC BY-SA 4.0
Photo adjustments

Full frame retained; proportionally resized and converted to WebP. No retouching or changes to the photographed subject. Card displays may crop the view.

Explore the region

About Guanlan Printmaking Village

The village that became the base was Dashuitian, formed of two natural villages, Niuhu Xinweichang – also known as Longmenwei – and Dashutian, built against the hills and water in the traditional Hakka row-house manner with old dwellings, ancestral halls, ponds, wells and watchtowers. It carries more than three hundred years of history. On 18 May 2006 the China Artists Association, the Shenzhen Federation of Literary and Art Circles and the district government signed an agreement to make the site a national printmaking base, choosing Guanlan because the printmaker Chen Yanqiao came from E'dixia Village here. Chen took up printmaking in the 1930s, joined the Chinese Left-wing Artists' League and from 1933 corresponded with Lu Xun, which drew him into the new woodcut movement; the row house where he was born is now an exhibition hall in his name.

The conversion followed a repair-as-found approach, avoiding large-scale demolition and keeping the rural character of the village, while adding an excavated lake planted with lotus, viewing terraces and courtyards. The base is planned across 1.4 million square metres with a central zone of 316,000 square metres, and divides into an eastern part holding the printmaking workshops and artists' quarter and a western part forming the international artists' village. It was formally inaugurated in May 2007 during the third China International Cultural Industries Fair. By 2023 more than a thousand printmakers from 98 countries and regions had worked there, producing over 90,000 prints.

What to look for

  • The Hakka row houses, ancestral halls, old wells and ponds of the former Dashuitian village, kept rather than rebuilt
  • The watchtower whose reflection falls in the village water, set among coconut, mango and banyan trees
  • The Chen Yanqiao exhibition hall in the row house at E'dixia where the printmaker was born
  • The printmaking workshops in the eastern zone, where visiting artists have their work printed
  • The international artists' village occupying the western zone of the base
  • The excavated lotus lake and viewing terraces added during the conversion

Location & getting there

Getting to Guanlan Printmaking Village

Identify the main visitor approach and any separately managed houses, museums or performances. Ask before entering residential spaces or photographing residents.

  • Search for 观澜版画村 with 深圳市 and 龙华区.
General visit reminders

Identify the main visitor approach and any separately managed houses, museums or performances. Ask before entering residential spaces or photographing residents.

AI illustration: AI illustration: stone well; generic detail, not a photograph of this place.
AI illustration · AI 示意图(景观类型参考,非实拍) · 石井井沿细节 — A general visiting detail, not an exact view of this place.
Historic towns & villages · 古镇古村/民族聚落 →

Find Guanlan Printmaking Village

观澜版画村 · 龙华区

No reliable map pin yet: search by the Chinese name.

Sources & visit information

The linked sources support the identity and background described in this introduction. Opening hours, admission, activity availability and exact arrival arrangements have not been comprehensively checked. Confirm current visitor information with the venue; the original catalogue locality and editorial review flag are retained.